, Ross Andru, Carmine Infantino, Tex Blaisdell, Mort Meskin, Bill Draut Our host Nat (who was called Matt in the first issue) Grover is a crime fighter and researcher into crimes and criminals of the past-his purpose, to show us those who take the first step toward breaking the law, wether it be an individual or a gang and ultimately what creates the Crime Machine! First up, we have "No Jail Could Hold Him!" penciled by the great Carmine Infantino. Next is "Francine O'Connor... The Empress of Crime!" by Tex Blaisdell. Followed by two tales from Gerald McCann "Leech McCoy... Incendiary Killer!" and "Juanita Perez The Gypsy Killer!" Plus two tall tales from Mike Becker "Waxie Gordon!" and "Easy Money." It'll be a crime if you miss out on these little beauties again! Reprints Skywald's Crime Machine #2 (May 1971).

, Jack Kirby Stuntman , Issue 2, published by Harvey Comics in 1946, continues the exhilarating adventures of Fred Drake, a Hollywood stuntman who moonlights as a daring crimefighter. Created by the legendary team of Joe Simon and Jack Kirby, this issue thrusts readers into a world where the lines between movie magic and real-life heroism blur. With breathtaking stunts and thrilling confrontations, Stuntman faces off against new villains and navigates dangerous situations both on and off the film set. The vivid artwork and dynamic storytelling make Stuntman #2 a standout example of Golden Age comic book excitement, blending action, drama, and heroism in a truly unique way.

The Spirit is a fictional masked crime fighter created by cartoonist Will Eisner, who fights crime with the blessing of the city's police commissioner Dolan, an old friend. Despite the Spirit's origin as detective/criminologist Denny Colt, his real identity was rarely referred to after his first appearance, and for all intents and purposes he was simply "The Spirit." The stories are presented in a wide variety of styles, from straight forward crime drama and noir to lighthearted adventure, from mystery and horror to comedy and love stories, often with hybrid elements that twisted genre and reader expectations. Comic book stories from the 1940s and 1950s may depict some ethnic and racial prejudices that were once commonplace in American culture. While not representing the publisher's view of today's society, these stories are printed as they were originally created, because to do otherwise would be the same as claiming these prejudices never existed. Collects The Spirit #9-12 (Summer 1947 - Summer 1948).

, Ralph Mayo, Art Saaf Princess Pantha was a circus-performing wild animal handler who went to Africa in search of the legendary giant gorilla M'Gana for her act! She disappeared shortly after setting out-so Gilt-edge Gates, the owner of The National Circus hired Dane Hunter, a famous explorer to find her. After discovering her safari had been wiped out by an unknown hostile native tribe and she'd saved herself by using her ability to make an extra-loud gorilla call, which the natives mistook for the approach of M'Gana and fled. Princess Pantha had survived in the jungle for two months now, utilizing her animal skills, knowledge of jiu-jitsu and a few primitive weapons. Together Pantha and Dane remained in the jungle and continued their quest to capture the legendary giant gorilla M'Gana! Comic book stories from the 1940s and 1950s depicted some ethnic and racial prejudices that were once commonplace in American culture. While not representing the publisher's view of today's society, these stories are printed as they were originally created, because to do otherwise would be the same as claiming these prejudices never existed. Collects Princess Pantha from Thrilling Comics #56-75 (October 1946-October 1949).