Peter Bagge returns to the series that defined a generation with this all-new, four-issue monthly miniseries! Buddy and Lisa, now middle aged with a free spirited young adult of their own, confront their own poor decisions as young people in the grungy 1990s. Expertly shifting between the present day (in full color) and their Gen X heyday (in glorious, crosshatched B&W), we learn for the first time the story of how Buddy met Lisa, Stinky, George, and Val. Meanwhile, Buddy is forced to come to terms with the tragic -- and covered-up -- circumstances of Stinky's untimely death (way back in Hate #27). Hate Revisited expertly showcases Bagge's inimitable humor and knack for character, and the generational shift lends an unexpected gravitas to their lives. This is the must-have comic of the summer!

The multiple Eisner and Ignatz Award nominated comics anthology returns: with every issue publishing only selfcontained short stories from around the globe, NOW is the perfect primer of the very best of contemporary art and literary comics. In our latest issue, NOW #13, cartoonist Kayla E. (USA) returns with an all-new "Precious Rubbish" strip exploring childhood trauma through her darkly humorous lens; she also contributes this issue's cover. Nathan Gelgud (USA) makes his NOW debut with two strips adapting dialogue from interviews with filmmaker Paul Schrader, while indie humor phenom Josh Pettinger (UK) also appears for the first time. Anchoring the issue is Caitlin Skaalrud's (USA) inspiring and beautiful "How to Make Comics," a 40-page poetic howl about the need to make art and the sacrifices that come with that need ("LEARN THE COPPER TASTE OF HUNGER"). And NOW regulars Noah Van Sciver (USA), Roman Muradov (Armenia), Josh Simmons (USA), Cynthia Alfonso (Spain), Steven Weissman (USA), Emil Friis Ernst (Denmark), and Stacy Gougoulis (Australia) are back with all new stories. NOW: The New Comics Anthology is still the best value in comics: every issue is a self-contained cross-section of the best short comics stories the globe has to offer, and it has established itself as the preeminent anthology of first-rate international comics talent. With all-new, never-before-seen material from a mix of emerging and established talent, NOW is the perfect answer to the question, "Why Comics?"

(A) VARIOUS A showcase of innovative Brazilian comics, curated by acclaimed artist Rafael Grampá and comics editor Janaina de Luna. American audiences have grown familiar with international comix through an influx of European bande dessinee and Japanese manga that has been translated into English over the past two decades. But there are vivacious creative scenes happening worldwide, notably in Brazil, the largest country in South America and fifth-largest country in the world. Braba aims to rectify this cultural blind spot with a single-volume showcase of innovative Brazilian comics, expertly curated by acclaimed cartoonist Rafael Grampá (Batman: Gargoyle of Gotham) and respected Brazilian comics editor Janaina de Luna. Produced by Fantagraphics in collaboration with Brazilian publisher MINO, this extraordinary collection of 13 short stories created by 16 pioneering Brazilian cartoonists encapsulates a thriving and thrilling comics scene. Braba unites a diverse array of voices and styles under a unifying theme: deeply personal stories from experimental cartoonists. Each artist's unique vision with their stylized short stories contribute to the rich cultural tapestry of Brazilian comics. The contributors to Braba include Amanda Miranda, Bruno Seelig, Diego Sanchez, Gabriel Goes, Jefferson Costa, Jéssica Groke, Sirlene Barbosa, João Pinheiro, Cris Eiko, Paulo Crumbim, Pedro Cobiaco, Pedro Franz, Rafael Coutinho, Shiko, and Wagner Willian. The term "braba," a Brazilian slang derived from "brava" meaning angry, has been embraced as a symbol of something impressive and groundbreaking. Originating from Brazil's edgy youth culture, the term is a compliment for individuals who exhibit unique and daring attitudes - an attitude exemplified by the bold and vibrant comics in this anthology.

Kate Carew was America's first great woman cartoonist, drawing for newspapers in the first two decades of the 20th century. She drew Sunday color comics alongside George Herriman, but it was in the idiom of freestanding caricature that she made her mark. She interviewed and sketched many of the famous celebrities of her time including the Wright brothers, who built and flew the world's first successful airplane; Marconi, who invented wireless radio; Picasso, the most famous painter of the 20th century; the world champion African American heavyweight boxer Jack Johnson; and the leading figures of the suffragette movement in the years before women won the right to vote in the UK (1918) and the US (1920). Her most endearing achievement was her cartoon alter ego "Aunt Kate," whom she sketched into the proceedings, turning graphic reportage into her personal adventure from San Francisco and New York to London and Paris.

Dogs in colorful sweatshirts, the glowing signs of a Vietnamese fast-food restaurant, solitary palm trees above the pavement: Ready America takes us on a ride through a both strangely familiar and quite alien Los Angeles. Packaging inscriptions, neon signs, and billboards fuse into an appealing typographic montage while familiar American icons peek out between stores and offices, clinics, and morgues. With her unmistakable wit, Anna Haifisch highlights the idiosyncrasies of a country in which catastrophes seem just as ordinary as the sight of a coyote in the Hollywood Hills.

Hogbook and Lazer Eyes is the perfect graphic novel accompaniment to Maria Bamford's acclaimed Netflix series Lady Dynamite, depicting her unlikely romance with painter Scott Cassidy. In a twist, the whole charming story is told through the eyes of their adopted rescue dogs. Cassidy's fine art training translates with ease into graphic storytelling, with a naturalistic illustrative style that is a pitch-perfect match for Bamford's comic timing.

In this debut graphic memoir, New York-based artist Ari Richter weaves together two haunting stories - his grand- and great-grandfathers' imprisonment in Dachau and Auschwitz, and his own awakening to the contemporary rise of authoritarianism and the continuing crisis of anti-Semitism - with delicacy, immediacy, and an attention to surreal detail. Never Again Will I Visit Auschwitz is an act of self-discovery and the resuscitation of historical memory. At its heart is the intersection of a genocidal political moment in 20th century history and the author's own family history. Told from the perspectives of four generations of the author's family, spanning pre-war Germany to post-Trump America, it is both a celebration of Jewish cultural resilience and a warning of democracy's fragility in the face of the seductive forces of authoritarianism. Part travelogue, part memoir, part historic retelling, author Ari Richter recreates his family's journey leading up to and extending beyond the Holocaust. Relying on extensive genealogical research and his family's archiving, Richter illustrates the lives of his grandparents while reflecting on the burden of a storyteller to carry on these legacies. It is a rare glimpse into the firsthand stories of both Holocaust survivors and their descendants, told as an intertwined tapestry of faith, grief, and ultimately, survival. Never Again Will I Visit Auschwitz is an intimate reflection on coming to grips with the past. Harrowing and humorous in equal measure, this evocatively drawn graphic novel will be discussed for generations to come.

A new collection of recent color and black-and-white portraits of comedians (Buster Keaton, Gilbert Gottfried, Groucho Marx, Selma Diamond, Moms Mabley, Brother Theodore), writers (Kurt Vonnegut, Alan Zwiebel, Bruce Jay Friedman, Arnie Kogan), musicians (B.B. King, Bob Dylan, Al Kooper, Sammy Davis, Jr., Weird Al), directors (Elaine May, Terry Zwigoff), comic book legends (Max Gaines, Bill Gaines, Kelly Freas, Ron Turner), actors (Boris Karloff, Lon Chaney, Jr, Rondo Hatton, Peter Falk) and other famous, infamous, and not-so-famous human beings. In addition to over 150 images, this collection features the eight-page comic strip, "R. Crumb and Me."