Gilbert Hernandez ( Love and Rockets ) cannot be contained to one comic! This issue, Fritz is Desalde, official sexual partner and caregiver to the king. This is Fritz at her most maddening zenith of sexual manipulation!

In this nonlinear graphic memoir, Powerpaola uses bicycles she's owned as a vehicle to explore the world, her relationships, her memories - and herself. "A bicycle is a machine that you power yourself. You decide where you want to go," writes cartoonist Powerpaola, as the guiding principle of this graphic memoir. All My Bicycles is a story that never really begins, existing all at once in Paola's memory. The book illustrates Powerpaola's relationships through her many bicycles: in fragments, it takes her back to her great loves and losses, friendships, and disappointments. Powerpaola's memories arrive abruptly and leave just as fast, creating a pathway through herself she can only find in moving forward. In remembering a bicycle, a manhole, an alligator, or a necklace, Powerpaola reflects upon these items in her consciousness without finding a concrete solution. All My Bicycles is a glimpse into how exploring these fleeting tangible moments - of physical objects, of traveling and seeing a new city, of even the end of a relationship - is an exploration of self. POWERPAOLA is a Columbian Ecuadorian cartoonist and illustrator based in Buenos Aires, Argentina. She is the author of the graphic memoir Virus Tropical (2011), which became a movie in 2017 and received critical acclaim worldwide; followed by Por Dentro , (2012), Diario (2013), qp (2014), Todo Va a Estar Bien (2015) and Nos vamos (2016). Her work deals with themes of sexuality, feminism, family, and personal identity. She is a member of the international collective Chicks on Comics.

, Hank Chapman, Various, Mike Sekowsky Expanding Fantagraphics' project to reprint Marvel Comics' 1950s genre titles, this volume blasts off to space opera adventure. In the vein of earlier comics-to-multimedia stars Buck Rogers and Flash Gordon, Atlas Comics launched their own pulp hero in 1951, looking ahead to the futuristic year 2000. Across five issues of Space Squadron (and one of Space Worlds ), headline talents including George Tuska, Werner Roth and Allen Bellman (with back-up features by Joe Maneely, Christopher Rule, George Klein and Vern Henkel) showed Captain Jet Dixon and his Space Squadron blasting into action, facing cosmic threats like "The Armada of Death," "The Space Demons," "Terror from the Deep," "The Temptress of Jupiter," and "The Midnight Horror." Come 1953, Hank Chapman and Joe Maneely gazed further into the future, envisioning the distant year 2075 and the adventures of Speed Carter, Spaceman . Scripted throughout by Chapman, Maneely launched and drew the first three issues before handing off to one issue each by Mike Sekowsky, George Tuska and Bob Forgione, with back-up features by John Romita, Maneely, and Bill Savage. As other aspects of the Atlas line leaned into the peak of pre-Code horror, the Captain of the Space Sentinels and young cadet Johnny Day battled monstrous aliens with stories including "The Space Trap," "A Slaughter in Space," "Die, Spaceman, Die," and "The Thing in Outer Space." Unseen in 70 years, scanned in high resolution, restored to perfection, and packaged as one extra-sized, beautiful hardcover volume, In the Days of the Rockets will open a wormhole to the early cold-war four-color era of futuristic science fantasy. HANK CHAPMAN (1915-1973) wrote steadily for a variety of comics publishers between 1940 and 1967, usually uncredited, but he has been identified as the author of several hundred stories. He is most known for his war stories while on staff at Atlas in the 1950s and at DC in the '50s and '60s. JOE MANEELY (1926-1958) landed at Timely in 1949 following the Street & Smith line's collapse and freelanced for Timely/Atlas for the next eight years, becoming one of the most prolific and important artists of the Atlas period. MIKE SEKOWSKY (1923-1989) was a prolific workman of the Silver Age of comics, notably co-creating the Justice League of America for DC in 1960 and having a run as writer/artist on Wonder Woman . But he began at Timely, drawing everything from Ziggy Pig and Silly Seal to The Human Torch and The Sub-Mariner.

In this imaginatively conceived historical graphic novel, Guy Colwell explores the story behind Hieronymus Bosch and his most famous work. In Guy Colwell's first full graphic novel in over 30 years, we see one painter, Colwell himself, consider another, Hieronymus Bosch, and the story behind the latter's most notable work told in sequential panels. The known details of Bosch's life, and the commissioning of his enormous triptych, "The Garden of Earthly Delights," are scant. Colwell takes the facts of Bosch's time and setting and constructs a tale of a man and artist torn equally among piety, creativity, and commerce. In Colwell's version of Jheronimus van Aken (Bosch's real name), he is an artist paid well by local dukes to paint a vision of the world before the fall, but will the religious leaders of his village see it as celebrating God's creation, or fatally corrupted by sensuality? And what of the increasing numbers of young models needed to depict pre-apple innocence? This imaginatively conceived graphic biography is Colwell's crowning achievement in a cartooning career, begun in the underground comix movement of the 1970s, and marked by risk-taking and political engagement. His drawing, rendering, and storytelling has never been as self-assured as in Delights . GUY COLWELL is a painter and comics artist best known for his bestselling underground comix series Inner City Romance (collected into a volume published by Fantagraphics in 2015). He worked extensively as an illustrator, cartoonist and color artist for underground newspapers and publishers from the 1970s into the 1990s, between sabbaticals for environmental research travel and social action. His other books include Street Scenes (2015), In Fox's Forest (2016), and Doll (2019).

Nancy Burton was among the earliest 1960's underground cartoonists, creating comic strips under the pen name "Hurricane Nancy" among others. Burton stopped making art in the early 1970's until 2009 when she began posting artwork online. Hurricane Nancy is the first collection of Burton's work ever published and reprints many of her comics and drawings from the 1960's in addition to her more recent work. Burton talks about the origins of her pen names, encounters with Timothy Leary and the Grateful Dead and explains why she stopped making art entirely in the 1970's. Hurricane Nancy is both a retrospective of a significant artist in the history of comics as well as a first-person account of a fascinating moment in counter-cultural America.

George Metzger's comics stand out for their captivating combination of high fantasy and science fiction, his prescient views of climate change and political chicanery - and, just when you need it. Explore a feudal landscape in steam-powered vehicles, soar the skies in anachronistic airships and hitchhike back to nature with the hippies. It's all here in this long-awaited anthology of George Metzger's most iconic (and idiosyncratic) comics creations - including two never-before-seen stories rediscovered after missing for decades!

This colorful graphic novel follows lovable losers Jay and Kay, whose quotidian adventures are often hilarious and occasionally poignant, calling to mind everything from Peanuts to the work of Simon Hanselmann. John Pham's simple-seeming stories of best friends Jay and Kay and their misfit friends weave in and out, with unexpectedly sad twists and comical turns, all steered by Pham's mastery of the cartooning craft and the language of comics storytelling. Pham's bold use of bright color and high hilarity draws the reader in, only to slowly reveal extra layers of psychological acuity, character depth, and existential gravitas. For all of its emotional richness, at its heart, J+K remains laugh out loud funny throughout, whether driven by Pham's gift for memorable one-liners, his expertly delivered sight gags, or the inherent humor in his character designs and their physicality on the page. This new paperback edition will feature a number of the extra items that were included in the hardcover edition package - collectible trading cards, a mini magazine with inserts, a sticker sheet, and a fold out map and poster - which will all be printed as interior pages within the book. Combined with Pham's brilliant use of color and innate grasp of printing, packaging, and graphic design, J+K is a chiseled gem of comics perfection. JOHN PHAM is a cartoonist and animator living in Los Angeles, CA. He is a Xeric Grant recipient, multiple Ignatz Award nominee, and his work has been featured in two volumes of Best American Comics .

In this resplendently painted graphic novel, a poet and a dancer form a beautiful connection in a bleak world. When Petar returns home to civilian life after his two-year conscription in the ex-Yugoslavian army, he finds himself adrift. Even amidst the most raucous, late-night parties, he feels detached from it all, like a ghost haunting the living. But a serendipitous encounter with Liza, a dancer with joie de vivre about her, brings a flood of vibrant color into his gray life. Their lyrical romance forms an oasis in a bleak world, until his inner demons start to reveal themselves. A heartfelt character study, this graphic novel paints the portrait of a complex protagonist often at odds with himself. At times, Petar writes soulful, life-affirming poetry, while at others he falls into spells of depression and self-destruction. Petar & Liza is a work of meticulous expressionism that reflects Miroslav Sekulic-Struja's vivid artistic vision. In dazzling gouache, Sekulic-Struja conjures an earthy, street-level view of humanity, bringing to life bohemian environs of dive bars, back rooms, and crowded cityscapes. He paints a world in darkness and turmoil, in which rays of sunshine occasionally peek through. MIROSLAV SEKULIC-STRUJA (b. 1976, Rijeka, Croatia) is a self-taught painter, illustrator, and novelist, whose rich and profound works seek to chronicle the underrepresented struggles of a generation lost to war. He is best known for his Pelote trilogy, which tells the Dickensian story of orphans in wartime. In 2010, his graphic novel The Man Who Bought a Smile received the Young Talent Award from the Angoulême International Comics Festival.