Ps Artbooks October 2026 Solicitations

Blast off once more with Planet Comics #4, meticulously reproduced as a facsimile edition by PS Artbooks! First published by Fiction House in 1940, this issue continues the series’ electrifying mix of interstellar adventure and pulp-fueled imagination. Join space heroes like Flint Baker and the Red Comet as they confront ruthless alien empires, deadly cosmic traps, and the wild wonders of deep space. Brimming with bold visuals, fast-paced storytelling, and that unmistakable Golden Age flair, Planet Comics #4 captures the raw energy of early sci-fi comics. This facsimile edition includes every page, ads and all, preserving the vintage look and feel for collectors and fans alike.

The adventure rockets onward in Planet Comics #5, faithfully reproduced as a facsimile edition by PS Artbooks! Originally published by Fiction House in 1940, this issue plunges readers deeper into the thrilling cosmos of early science fiction comics. Join stalwart heroes like Flint Baker and the Red Comet as they battle monstrous aliens, navigate perilous star systems, and face off against sinister galactic foes. With its dynamic artwork, pulp-charged storytelling, and boundless imagination, Planet Comics #5 embodies the spirit of Golden Age sci-fi. This facsimile edition includes every original page, vintage ads and all, making it an essential addition to any collector’s shelf.

Prepare for another cosmic clash in Planet Comics #6, brought back to life in a stunning facsimile edition by PS Artbooks! First hitting newsstands in 1940 from the pages of Fiction House, this issue continues the dazzling saga of space-faring heroes like Flint Baker and the Red Comet. From strange alien worlds to deadly deep-space showdowns, these pulp-packed tales deliver the thrills, danger, and imagination that defined early science fiction comics. Featuring bold Golden Age artwork and fast-paced adventures, Planet Comics #6 is a time capsule of rocket-age excitement. This edition includes every original page, ads, features, and all, for the full vintage experience.

Blast off into the thrilling world of Planet Comics with this facsimile edition of Issue #1, faithfully reproduced by PS Artbooks! Originally published in 1940 by Fiction House, Planet Comics #1 launched readers into a bold new universe of science fiction adventure. This inaugural issue features a dazzling array of interplanetary tales packed with ray guns, rocket ships, and alien menaces—headlined by the debut of characters like Flint Baker and the Red Comet. With its dynamic art, futuristic settings, and pulp-inspired action, Planet Comics became a cornerstone of Golden Age sci-fi. This facsimile edition preserves the original cover, ads, and interior pages, offering a time-capsule glimpse into one of the most iconic comics of its era. Artists: Lou Fine, Dick Briefer, Ken Jackson, Malcolm Kildale, Alex Blum

Prepare for another cosmic journey with Planet Comics #2, brought to you as a full facsimile edition by PS Artbooks! Originally published in 1940 by Fiction House, this second installment continues the explosive blend of space opera and pulp adventure that made the series a Golden Age standout. Heroes like Flint Baker and the Red Comet return to battle strange creatures, tyrannical warlords, and galactic threats in stories bursting with ray-gun action and interstellar drama. With its bold visuals, imaginative storytelling, and classic sci-fi flair, Planet Comics #2 cements the series’ place as a pioneering force in comic book science fiction. This edition faithfully reproduces the original issue, complete with vintage ads and period details—a must-have for fans of retro sci-fi and comic history. Artists: George Tuska, Art Peddy, Bob Powell, Fletcher Hanks, Henry Kiefer

Strap in for another rocket-fueled ride through the stars with Planet Comics #3, faithfully reproduced as a facsimile edition by PS Artbooks! Originally released by Fiction House in 1940, this issue continues the high-octane blend of science fiction and pulp action that defined the series. Flint Baker, the Red Comet, and other cosmic crusaders return to face new alien worlds, sinister overlords, and dazzling space-age dangers. With its dynamic art, thrilling plots, and unapologetically imaginative spirit, Planet Comics #3 delivers everything readers loved about the early days of sci-fi comics. This facsimile edition preserves every detail of the original—including vintage ads and authentic Golden Age aesthetics—making it a perfect addition to any collector’s library. Artists: Bob Powell, Alex Blum, Ken Jackson, Leonard Frank, R. Louis Golden

Skywald's first publication was Nightmare #1 (Dec. 1970) a black-and-white comic magazine absolutely? packed full of horror, I mean just take a look we’ve got The Pollution Monsters, Master of the Dead, Dance? Macabre, Orgy of Blood, A Nightmare Pin-Up, The Skeletons of Doom, Help Us to Die, The Thing from? the Sea, The Creature Within and The Deadly Mark of the Beast. All created by the ghoulishly imaginative? talents of Don Heck, Norman Nodel, Jack Katz, Bill Everett, Ross Andru, Wally Wood, Mike Esposito,? Joe Kubert and Syd Shores. And all reproduced here completely like the original comic magazine.? Don’t hang around - these horror’s will be gone by sunrise!

Nightmare #2 (Feb. 1971) of the black-and-white comic horror magazine features? ‘Children of the Cold Gods’ by Ross Andru. ’The Phantom of Philip Hawks’ by Alvin Hollingsworth.? ‘The Circle of Circe!’ By Syd Shores. ’Blood for the Vampire’ by Norman Nodel.? All of these featuring the masterly influence of Mike Esposito and not forgetting ‘Pressed for Time’? scripted by Marv Wolfman and pencilled by Dan Akins. All reproduced here completely like the original? comic magazine. Don’t hang around - these horror’s will be gone by sunrise!

Skywald's NIGHTMARE continues with issue #3 dated April 1971.? A black-and-white comic magazine absolutely packed full of horror and suspense, complete with a striking? Boris Vallejo cover! And featuring the combined talents of Tom Sutton, Gerry Conway, Rich Buckler,? Al Hewetson, Serg Moren, Gardner Fox, Raul Reinman, Bruce Jones, Kevin Pagan, Chic Stone and? Jack Katz. And all reproduced here completely like the original comic magazine, it's hard to understand? how you gonna wake up from this nightmare? But you have to, because if you hang around too long – ?these horror’s will be gone by sunrise!

Skywald's NIGHTMARE continues with issue #4 dated June 1971.? A black-and-white comic magazine absolutely packed full of horror and suspense! And featuring the? combined talents of Harry Rosenbaum, Ralph Reese, Jack Abel, Dick Ayers, Tom Sutton, Tom Palmer,? Serg Moren and Dan Adkins.? And all reproduced here completely like the original comic magazine, it's hard to understand? how you gonna wake up from this nightmare? But you have to, because if you hang around too long – ?these horror’s will be gone by sunrise!

Skywald's NIGHTMARE continues with issue #5 dated August 1971. A black-and-white comic magazine? absolutely packed full of horror and suspense! And featuring a fantastic cover by Boris Vallejo plus the? combined talents of Harold Shull, Ralph Reese, Carlos Garzon, Rich Buckler, Tom Sutton, Jack Katz,? Serg Moren and Doug Wildey. And all reproduced here completely like the original comic magazine,? it's hard to understand how you ever gonna wake up from this nightmare?? But you have to, because if you hang around too long – these horror’s will be gone by sunrise!

Skywald's NIGHTMARE continues with issue #6 dated December 1971. A black-and-white comic? magazine absolutely packed full of horror and suspense! And featuring a fantastic cover by Jeff Jones plus? the combined talents of Ernie Colon, Carlos Garzon, Larry Todd, Doug Wildey, Michael Wm. Kaluta and? Pat Boyette. And all reproduced here completely like the original comic magazine, it's hard to understand? how you ever gonna wake up from this nightmare?? But you have to, because if you hang around too long – these horror’s will be gone by sunrise!

Amazing Man was the second superhero after Superman, to have a comic book named after him.? Historians credit his creation variously to writer-artist Bill Everett and art director Lloyd Jacquet, founder? of The Funnies Inc., although some credit may be due to Grace Everett, who helped with research.?In 1914, an orphaned child named John Aman was chosen by the Tibetan Council of Seven and trained to? be a superman, both in mental and physical perfection. His powers include super strength, invulnerability? and the ability to make himself disappear in a cloud of green vapour. When he turned twenty-five, after his? final tests, he is sent into the world to combat crime and injustice, returning to America to become the? heroic Amazing Man.

PS Artbooks presents the Volume Two and concluding volume of Amazing Man (the second superhero after Superman, to have a comic book named after him). Historians credit his creation variously to writer-?artist Bill Everett and art director Lloyd Jacquet, founder of The Funnies Inc., although some credit may be due to Grace Everett, who helped with research.?In 1914, an orphaned child named John Aman was chosen by the Tibetan Council of Seven and trained to? be a superman, both in mental and physical perfection. His powers include super strength, invulnerability? and the ability to make himself disappear in a cloud of green vapour. When he turned twenty-five, after his? final tests, he is sent into the world to combat crime and injustice, returning to America to become the? heroic Amazing Man and his continuing battles with arch-enemy ‘The Great Question’!

GOLDEN AGE CLASSICS BLACK CONDOR & THE RAY HC VOLUME 1 BLACK CONDOR – CRACK COMICS #1 - #11 May 1940 – March 1941THE RAY – SMASH COMICS #14 - #22 September 1940 – May 1941 Lou Fine was one of the most impressive and influential artists to ever work in comics. His fluid figures were admired and copied by such greats as Joe Simon and Jack Kirby. In the early 40's, the heyday of the Golden Age, he worked for Everett M. "Busy" Arnold at Quality Comics along with such greats as Reed Crandall, Jack Cole and Will Eisner and in addition to his impressive covers, he worked on such comics as the Black Condor; aka Richard Grey Jr. having lost his parents was raised by giant black condors and after studying his condor foster parents, he learned to fly. He befriended a hermit monk named Father Pierre who convinced him that he should use his unique attributes to do good and so was born the Black Condor.Lou Fine also created The Ray, a reporter named Hubert 'Happy' Terrill who was covering the story of a high-flying "strato-balloon" exploring the upper atmosphere. An electrical storm struck and while closing the outer airlock door, "Happy" got the full brunt of the storm's energy and the unfiltered sunlight giving him his super powers to absorb energy from his surroundings and emit it from his body in any form he chose, also using it to propel himself through the air.

GOLDEN AGE CLASSICS BLACK CONDOR & THE RAY HC VOLUME 2 BLACK CONDOR – CRACK COMICS #12 - #21 April 1941 – February 1942?THE RAY – SMASH COMICS #23 - #30 June 1941 – January 1942? Lou Fine was one of the most impressive and influential artists to ever work in comics. His fluid figures were admired and copied by such greats as Joe Simon and Jack Kirby. In the early 40's, the heyday of the Golden Age, he worked for Everett M. "Busy" Arnold at Quality Comics along with such greats as Reed Crandall, Jack Cole and Will Eisner and in addition to his impressive covers, he worked on such comics as the Black Condor; aka Richard Grey Jr. having lost his parents was raised by giant black condors and after studying his condor foster parents, he learned to fly. He befriended a hermit monk named Father Pierre who convinced him that he should use his unique attributes to do good and so was born the Black Condor.Lou Fine also created The Ray, a reporter named Hubert 'Happy' Terrill who was covering the story of a high-flying "strato-balloon" exploring the upper atmosphere. An electrical storm struck and while closing the outer airlock door, "Happy" got the full brunt of the storm's energy and the unfiltered sunlight giving him his super powers to absorb energy from his surroundings and emit it from his body in any form he chose, also using it to propel himself through the air.

GOLDEN AGE CLASSICS BLACK CONDOR & THE RAY HC VOLUME 3 BLACK CONDOR – CRACK COMICS #22 - #31 March 1942 – October 1943?THE RAY – SMASH COMICS #31 - #40 February 1942 – February 1943 Lou Fine was one of the most impressive and influential artists to ever work in comics. His fluid figures were admired and copied by such greats as Joe Simon and Jack Kirby. In the early 40's, the heyday of the Golden Age, he worked for Everett M. "Busy" Arnold at Quality Comics along with such greats as Reed Crandall, Jack Cole and Will Eisner and in addition to his impressive covers, he worked on such comics as the Black Condor; aka Richard Grey Jr. having lost his parents was raised by giant black condors and after studying his condor foster parents, he learned to fly. He befriended a hermit monk named Father Pierre who convinced him that he should use his unique attributes to do good and so was born the Black Condor.Lou Fine also created The Ray, a reporter named Hubert 'Happy' Terrill who was covering the story of a high-flying "strato-balloon" exploring the upper atmosphere. An electrical storm struck and while closing the outer airlock door, "Happy" got the full brunt of the storm's energy and the unfiltered sunlight giving him his super powers to absorb energy from his surroundings and emit it from his body in any form he chose, also using it to propel himself through the air. Art by Lou Fine, Charles Sultan, Phil Bard, Reed Crandall, Bob Fujitani.

GOLDEN AGE CLASSICS BLACK CONDOR & THE RAY HC VOLUME 3 BLACK CONDOR – CRACK COMICS #22 - #31 March 1942 – October 1943?THE RAY – SMASH COMICS #31 - #40 February 1942 – February 1943 Lou Fine was one of the most impressive and influential artists to ever work in comics. His fluid figures were admired and copied by such greats as Joe Simon and Jack Kirby. In the early 40's, the heyday of the Golden Age, he worked for Everett M. "Busy" Arnold at Quality Comics along with such greats as Reed Crandall, Jack Cole and Will Eisner and in addition to his impressive covers, he worked on such comics as the Black Condor; aka Richard Grey Jr. having lost his parents was raised by giant black condors and after studying his condor foster parents, he learned to fly. He befriended a hermit monk named Father Pierre who convinced him that he should use his unique attributes to do good and so was born the Black Condor.Lou Fine also created The Ray, a reporter named Hubert 'Happy' Terrill who was covering the story of a high-flying "strato-balloon" exploring the upper atmosphere. An electrical storm struck and while closing the outer airlock door, "Happy" got the full brunt of the storm's energy and the unfiltered sunlight giving him his super powers to absorb energy from his surroundings and emit it from his body in any form he chose, also using it to propel himself through the air. Art by Lou Fine, Charles Sultan, Phil Bard, Reed Crandall, Bob Fujitani.

GOLDEN AGE CLASSICS BLACK CONDOR & THE RAY TP SOFTEE VOLUME 1 BLACK CONDOR – CRACK COMICS #1 - #11 May 1940 – March 1941?THE RAY – SMASH COMICS #14 - #22 September 1940 – May 1941 Lou Fine was one of the most impressive and influential artists to ever work in comics. His fluid figures were admired and copied by such greats as Joe Simon and Jack Kirby. In the early 40's, the heyday of the Golden Age, he worked for Everett M. "Busy" Arnold at Quality Comics along with such greats as Reed Crandall, Jack Cole and Will Eisner and in addition to his impressive covers, he worked on such comics as the Black Condor; aka Richard Grey Jr. having lost his parents was raised by giant black condors and after studying his condor foster parents, he learned to fly. He befriended a hermit monk named Father Pierre who convinced him that he should use his unique attributes to do good and so was born the Black Condor.Lou Fine also created The Ray, a reporter named Hubert 'Happy' Terrill who was covering the story of a high-flying "strato-balloon" exploring the upper atmosphere. An electrical storm struck and while closing the outer airlock door, "Happy" got the full brunt of the storm's energy and the unfiltered sunlight giving him his super powers to absorb energy from his surroundings and emit it from his body in any form he chose, also using it to propel himself through the air.

GOLDEN AGE CLASSICS BLACK CONDOR & THE RAY TP SOFTEE VOLUME 2 BLACK CONDOR – CRACK COMICS #12 - #21 April 1941 – February 1942?THE RAY – SMASH COMICS #23 - #30 June 1941 – January 1942? Lou Fine was one of the most impressive and influential artists to ever work in comics. His fluid figures were admired and copied by such greats as Joe Simon and Jack Kirby. In the early 40's, the heyday of the Golden Age, he worked for Everett M. "Busy" Arnold at Quality Comics along with such greats as Reed Crandall, Jack Cole and Will Eisner and in addition to his impressive covers, he worked on such comics as the Black Condor; aka Richard Grey Jr. having lost his parents was raised by giant black condors and after studying his condor foster parents, he learned to fly. He befriended a hermit monk named Father Pierre who convinced him that he should use his unique attributes to do good and so was born the Black Condor.Lou Fine also created The Ray, a reporter named Hubert 'Happy' Terrill who was covering the story of a high-flying "strato-balloon" exploring the upper atmosphere. An electrical storm struck and while closing the outer airlock door, "Happy" got the full brunt of the storm's energy and the unfiltered sunlight giving him his super powers to absorb energy from his surroundings and emit it from his body in any form he chose, also using it to propel himself through the air.

GOLDEN AGE CLASSICS BLACK CONDOR & THE RAY TP SOFTEE VOLUME 3 BLACK CONDOR – CRACK COMICS #22 - #31 March 1942 – October 1943?THE RAY – SMASH COMICS #31 - #40 February 1942 – February 1943 Lou Fine was one of the most impressive and influential artists to ever work in comics. His fluid figures were admired and copied by such greats as Joe Simon and Jack Kirby. In the early 40's, the heyday of the Golden Age, he worked for Everett M. "Busy" Arnold at Quality Comics along with such greats as Reed Crandall, Jack Cole and Will Eisner and in addition to his impressive covers, he worked on such comics as the Black Condor; aka Richard Grey Jr. having lost his parents was raised by giant black condors and after studying his condor foster parents, he learned to fly. He befriended a hermit monk named Father Pierre who convinced him that he should use his unique attributes to do good and so was born the Black Condor.Lou Fine also created The Ray, a reporter named Hubert 'Happy' Terrill who was covering the story of a high-flying "strato-balloon" exploring the upper atmosphere. An electrical storm struck and while closing the outer airlock door, "Happy" got the full brunt of the storm's energy and the unfiltered sunlight giving him his super powers to absorb energy from his surroundings and emit it from his body in any form he chose, also using it to propel himself through the air. Art by Lou Fine, Charles Sultan, Phil Bard, Reed Crandall, Bob Fujitani.

GOLDEN AGE CLASSICS FIGHT COMICS HC VOLUME 1 Join us, as we delve into the pages of this classic comic from Fiction House featuring the talents of? Will Eisner, Lou Fine, George Tuska, Alex Blum, Fred Schwab, Steve Broder, Fletcher Hanks,? Maurice Gutwirth, Klaus Nordling, Leonard Frank, William Wills, John Celardo and Charles Sultan.? And remember the . . .?1st Rule of FIGHT COMICS : YOU MUST TALK about FIGHT COMICS.?2nd Rule of FIGHT COMICS : YOU MUST TALK SOME MORE about FIGHT COMICS.?3rd Rule of FIGHT COMICS : STOP! GO BUY FIGHT COMICS BEFORE THEY SELL OUT!?

GOLDEN AGE CLASSICS FIGHT COMICS HC VOLUME 2 1st Rule of FIGHT COMICS : YOU MUST TALK about FIGHT COMICS.?2nd Rule of FIGHT COMICS : YOU MUST TALK SOME MORE about FIGHT COMICS.?3rd Rule of FIGHT COMICS : STOP! GO BUY FIGHT COMICS BEFORE THEY SELL OUT!?Featuring POWER MAN aka Rip Regan who is given a "power suit" by his friend and mentor Dr. Austin? which gives him super-strength, imperviousness and enables him to perform superhuman leaps.? ALONGSIDE OTHER CLASSIC COMIC HEROES FROM FICTION HOUSE SUCH AS SHARK BRODIE, KINKS MASON,? SPY FIGHTER, CHIP COLLINS, BIG RED MCLANE, KAYO KIRBY, ORAN OF THE JUNGLE AND? STRUT WARREN. All masterfully brought to life by Lou Fine, George Tuska, Steve Broder,? Leonard Frank, Fred Schwab, Charles Sultan, John Celardo, Fletcher Hanks, Dan Zolnerowich,? Bob Powell and Klaus Nordling

GOLDEN AGE CLASSICS JUNGLE COMICS HC VOLUME 1 Jungle Comics ran for almost 15 years and there's no wonder with a roster of creative talent like Lou Fine,? Alex Blum, Taylor Martin, Fletcher Hanks, Chuck Winter, Art Peddy, Henry Kiefer, George Wilson, Bill? Allison, Dick Briefer, Will Eisner, Ken Jackson, R. Louis Golden, Rafael Astarita, Charles Sultan, Robert? Lewis and Bob Powell all serving us such jungle treats as these... Alex Blum created Kaanga, Lord of the? Jungle, who after losing his family in the Congo, was adopted by a local tribe of “ape-men” where he? tackled everything from bad animals to dinosaurs to witch doctors to Germans, appearing in all 163 issues!? While wandering the jungle, Tabu saved the life of a powerful shaman. In thanks the shaman gave him the? "extra sense" – heightened strength, speed, agility, as well as enhanced senses and in a true Fletcher Hanks? fashion, unlimited magical powers. The "Mystery Woman of the Jungle" Fantomah, is a mysterious? goddess-like being. With vast omnipotent magical power can transform into a frightening phantom/skeleton? creature with floating skull and blonde hair. She wreaked her brutal vengeance on such bizarre foes as Org,? who controlled giant spiders with a hypnotic drum, and Professor Zomax. And so much more – all? reproduced - cover to cover - just like the original comics! So swing by and grab your copy today!