Ps Artbooks September 2026 Solicitations

Blast off once more with Planet Comics #4, meticulously reproduced as a facsimile edition by PS Artbooks! First published by Fiction House in 1940, this issue continues the series’ electrifying mix of interstellar adventure and pulp-fueled imagination. Join space heroes like Flint Baker and the Red Comet as they confront ruthless alien empires, deadly cosmic traps, and the wild wonders of deep space. Brimming with bold visuals, fast-paced storytelling, and that unmistakable Golden Age flair, Planet Comics #4 captures the raw energy of early sci-fi comics. This facsimile edition includes every page, ads and all, preserving the vintage look and feel for collectors and fans alike.

The adventure rockets onward in Planet Comics #5, faithfully reproduced as a facsimile edition by PS Artbooks! Originally published by Fiction House in 1940, this issue plunges readers deeper into the thrilling cosmos of early science fiction comics. Join stalwart heroes like Flint Baker and the Red Comet as they battle monstrous aliens, navigate perilous star systems, and face off against sinister galactic foes. With its dynamic artwork, pulp-charged storytelling, and boundless imagination, Planet Comics #5 embodies the spirit of Golden Age sci-fi. This facsimile edition includes every original page, vintage ads and all, making it an essential addition to any collector’s shelf.

Prepare for another cosmic clash in Planet Comics #6, brought back to life in a stunning facsimile edition by PS Artbooks! First hitting newsstands in 1940 from the pages of Fiction House, this issue continues the dazzling saga of space-faring heroes like Flint Baker and the Red Comet. From strange alien worlds to deadly deep-space showdowns, these pulp-packed tales deliver the thrills, danger, and imagination that defined early science fiction comics. Featuring bold Golden Age artwork and fast-paced adventures, Planet Comics #6 is a time capsule of rocket-age excitement. This edition includes every original page, ads, features, and all, for the full vintage experience.

PS ARTBOOKS MAGAZINE CRIME MACHINE #1 Our host Matt Grover is a crime fighter and researcher into crimes and criminals of the past - his purpose,? to show us those who take the first step toward breaking the law, wether it be an individual or a gang and? ultimately what creates the CRIME MACHINE!?First up from Mike Becker we have 'Vinnie Sherwood Racket King' who took the law into his own hands? for revenge! Followed by 'Boss of the Death Gang' who made one slip too many! ?Next is the first of two tales pencilled by Joe Kubert 'Marion Gilmore, Queen of the Waterfront Gangs!'? and 'Walter Legenza and the Tri-State Gang. Two more from the Crime Machine by Gerald McCann? 'Brothers in Crime' and 'George Krowl and the Big City Murder Mob'. Plus 'Baby Face Nelson' by Wally? Wood and 'Toots Garboli and his Fight Racketeers!' From Syd Shores. These little beauties didn't hang? around for very long - so make sure you get your copy this time !?

PS ARTBOOKS MAGAZINE CRIME MACHINE #2 Our host Nat (who was called ‘Matt’ in the first issue?) Grover is a crime fighter and researcher into crimes and criminals of the past - his purpose, to show us those who take the first step toward breaking the law,? wether it be an individual or a gang and ultimately what creates the CRIME MACHINE!?First up, we have No Jail Could Hold Him!' penciled by the great Carmine Infantino.? Next is “Francine O’Connor . . . The Empress of Crime!' by Tex Blaisdell. Followed by two tales from? Gerald McCann “Leech McCoy . . . Incendary Killer!” and “Juanita Perez The Gypsey Killer!”.? Plus two tall tales from Mike Becker “Waxie Gordon!” and “Easy Money”.?It’ll be a crime if you miss out on these little beauties again – they didn't hang around for very long – ?So make sure you get your copy this time !

PS ARTBOOKS MAGAZINE FANTASTIC MONSTERS OF THE FILMS #1 Horror guaranteed to shock you dead or your life refunded!? A more mature monster magazine created by Paul Blaisdell and Bob Burns, with Ron Haydock and Jim? Harmon writing and editing. Popular features included “The Devil’s Workshop” and the “Monster of the? Month” colour fold-out posters, which has made intact copies difficult to find and costly!?So get them here – but be quick these monsters won’t be around for very long!

PS ARTBOOKS MAGAZINE FANTASTIC MONSTERS OF THE FILMS #2 Horror guaranteed to shock you dead or your life refunded!? A more mature monster magazine created by Paul Blaisdell and Bob Burns, with Ron Haydock and Jim? Harmon writing and editing. Popular features included “The Devil’s Workshop” and the “Monster of the? Month” colour fold-out posters, which has made intact copies difficult to find and costly!?So get them here – but be quick these monsters won’t be around for very long!

PS ARTBOOKS MAGAZINE FANTASTIC MONSTERS OF THE FILMS #3 Horror guaranteed to shock you dead or your life refunded!? A more mature monster magazine created by Paul Blaisdell and Bob Burns, with Ron Haydock and Jim? Harmon writing and editing. Popular features included “The Devil’s Workshop” and the “Monster of the? Month” colour fold-out posters, which has made intact copies difficult to find and costly!?So get them here – but be quick these monsters won’t be around for very long!

PS ARTBOOKS MAGAZINE FANTASTIC MONSTERS OF THE FILMS #4 Horror guaranteed to shock you dead or your life refunded!? A more mature monster magazine created by Paul Blaisdell and Bob Burns, with Ron Haydock and Jim? Harmon writing and editing. Popular features included “The Devil’s Workshop” and the “Monster of the? Month” colour fold-out posters, which has made intact copies difficult to find and costly!?So get them here – but be quick these monsters won’t be around for very long!

PS ARTBOOKS MAGAZINE FANTASTIC MONSTERS OF THE FILMS #5 Horror guaranteed to shock you dead or your life refunded!? A more mature monster magazine created by Paul Blaisdell and Bob Burns, with Ron Haydock and Jim? Harmon writing and editing. Popular features included “The Devil’s Workshop” and the “Monster of the? Month” colour fold-out posters, which has made intact copies difficult to find and costly!?So get them here – but be quick these monsters won’t be around for very long!

PS ARTBOOKS MAGAZINE HELL RIDER #1 Right on with the NEW super-hero . . . a man whose destiny may well change the course of the entire world? . . . a man who is doomed to a life of lonely frustration even though he will constantly be the centre of? attention for millions . . . a man called THE HELL RIDER! 'Brick Reese' was a wounded ex-vet and? guinea-pig for the new experimental drug Q-47, with it's unexpected side-effects of tremendous strength? and combined with his Harley Sportstar motorcycle, equipped with flame thrower, rocket boosters, napalm? tanks and oil slick jet gun - HELL RIDER is ready to tackle the crime world in this complete origin? scripted by Gary Friedrich and visualised by the dream team of Ross Andru and Mike Esposito.?Outfitted with a jetpack and a blinding colourful strobe lit costume - Marian Michaels is a Las Vega cabaret? singer and crime-fighting BUTTERFLY battling THE CLAW, a group of cat costumed-wearing heroin? dealers intent on building a fascist army out in the desert!? These little beauties didn't hang around for very long - so make sure you get your copy this time !

PS ARTBOOKS MAGAZINE HELL RIDER #2 Right on with the NEW super-hero . . . a man whose destiny may well change the course of the entire world? . . . a man who is doomed to a life of lonely frustration even though he will constantly be the centre of? attention for millions . . . a man called THE HELL RIDER! 'Brick Reese' was a wounded ex-vet and? guinea-pig for the new experimental drug Q-47, with it's unexpected side-effects of tremendous strength? and combined with his Harley Sportstar motorcycle, equipped with flame thrower, rocket boosters, napalm? tanks and oil slick jet gun - HELL RIDER is ready to tackle the crime world in this complete origin? scripted by Gary Friedrich and visualised by the dream team of Ross Andru and Mike Esposito.?Outfitted with a jetpack and a blinding colourful strobe lit costume - Marian Michaels is a Las Vega cabaret? singer and crime-fighting BUTTERFLY battling THE CLAW, a group of cat costumed-wearing heroin? dealers intent on building a fascist army out in the desert!? These little beauties didn't hang around for very long - so make sure you get your copy this time !

GOLDEN AGE CLASSICS BLACK CONDOR & THE RAY HC VOLUME 3 BLACK CONDOR – CRACK COMICS #22 - #31 March 1942 – October 1943?THE RAY – SMASH COMICS #31 - #40 February 1942 – February 1943 Lou Fine was one of the most impressive and influential artists to ever work in comics. His fluid figures were admired and copied by such greats as Joe Simon and Jack Kirby. In the early 40's, the heyday of the Golden Age, he worked for Everett M. "Busy" Arnold at Quality Comics along with such greats as Reed Crandall, Jack Cole and Will Eisner and in addition to his impressive covers, he worked on such comics as the Black Condor; aka Richard Grey Jr. having lost his parents was raised by giant black condors and after studying his condor foster parents, he learned to fly. He befriended a hermit monk named Father Pierre who convinced him that he should use his unique attributes to do good and so was born the Black Condor.Lou Fine also created The Ray, a reporter named Hubert 'Happy' Terrill who was covering the story of a high-flying "strato-balloon" exploring the upper atmosphere. An electrical storm struck and while closing the outer airlock door, "Happy" got the full brunt of the storm's energy and the unfiltered sunlight giving him his super powers to absorb energy from his surroundings and emit it from his body in any form he chose, also using it to propel himself through the air. Art by Lou Fine, Charles Sultan, Phil Bard, Reed Crandall, Bob Fujitani.

GOLDEN AGE CLASSICS BLACK CONDOR & THE RAY HC VOLUME 1 BLACK CONDOR – CRACK COMICS #1 - #11 May 1940 – March 1941THE RAY – SMASH COMICS #14 - #22 September 1940 – May 1941 Lou Fine was one of the most impressive and influential artists to ever work in comics. His fluid figures were admired and copied by such greats as Joe Simon and Jack Kirby. In the early 40's, the heyday of the Golden Age, he worked for Everett M. "Busy" Arnold at Quality Comics along with such greats as Reed Crandall, Jack Cole and Will Eisner and in addition to his impressive covers, he worked on such comics as the Black Condor; aka Richard Grey Jr. having lost his parents was raised by giant black condors and after studying his condor foster parents, he learned to fly. He befriended a hermit monk named Father Pierre who convinced him that he should use his unique attributes to do good and so was born the Black Condor.Lou Fine also created The Ray, a reporter named Hubert 'Happy' Terrill who was covering the story of a high-flying "strato-balloon" exploring the upper atmosphere. An electrical storm struck and while closing the outer airlock door, "Happy" got the full brunt of the storm's energy and the unfiltered sunlight giving him his super powers to absorb energy from his surroundings and emit it from his body in any form he chose, also using it to propel himself through the air.

GOLDEN AGE CLASSICS BLACK CONDOR & THE RAY HC VOLUME 2 BLACK CONDOR – CRACK COMICS #12 - #21 April 1941 – February 1942?THE RAY – SMASH COMICS #23 - #30 June 1941 – January 1942? Lou Fine was one of the most impressive and influential artists to ever work in comics. His fluid figures were admired and copied by such greats as Joe Simon and Jack Kirby. In the early 40's, the heyday of the Golden Age, he worked for Everett M. "Busy" Arnold at Quality Comics along with such greats as Reed Crandall, Jack Cole and Will Eisner and in addition to his impressive covers, he worked on such comics as the Black Condor; aka Richard Grey Jr. having lost his parents was raised by giant black condors and after studying his condor foster parents, he learned to fly. He befriended a hermit monk named Father Pierre who convinced him that he should use his unique attributes to do good and so was born the Black Condor.Lou Fine also created The Ray, a reporter named Hubert 'Happy' Terrill who was covering the story of a high-flying "strato-balloon" exploring the upper atmosphere. An electrical storm struck and while closing the outer airlock door, "Happy" got the full brunt of the storm's energy and the unfiltered sunlight giving him his super powers to absorb energy from his surroundings and emit it from his body in any form he chose, also using it to propel himself through the air.

GOLDEN AGE CLASSICS BLACK CONDOR & THE RAY HC VOLUME 3 BLACK CONDOR – CRACK COMICS #22 - #31 March 1942 – October 1943?THE RAY – SMASH COMICS #31 - #40 February 1942 – February 1943 Lou Fine was one of the most impressive and influential artists to ever work in comics. His fluid figures were admired and copied by such greats as Joe Simon and Jack Kirby. In the early 40's, the heyday of the Golden Age, he worked for Everett M. "Busy" Arnold at Quality Comics along with such greats as Reed Crandall, Jack Cole and Will Eisner and in addition to his impressive covers, he worked on such comics as the Black Condor; aka Richard Grey Jr. having lost his parents was raised by giant black condors and after studying his condor foster parents, he learned to fly. He befriended a hermit monk named Father Pierre who convinced him that he should use his unique attributes to do good and so was born the Black Condor.Lou Fine also created The Ray, a reporter named Hubert 'Happy' Terrill who was covering the story of a high-flying "strato-balloon" exploring the upper atmosphere. An electrical storm struck and while closing the outer airlock door, "Happy" got the full brunt of the storm's energy and the unfiltered sunlight giving him his super powers to absorb energy from his surroundings and emit it from his body in any form he chose, also using it to propel himself through the air. Art by Lou Fine, Charles Sultan, Phil Bard, Reed Crandall, Bob Fujitani.

GOLDEN AGE CLASSICS BLACK CONDOR & THE RAY TP SOFTEE VOLUME 1 BLACK CONDOR – CRACK COMICS #1 - #11 May 1940 – March 1941?THE RAY – SMASH COMICS #14 - #22 September 1940 – May 1941 Lou Fine was one of the most impressive and influential artists to ever work in comics. His fluid figures were admired and copied by such greats as Joe Simon and Jack Kirby. In the early 40's, the heyday of the Golden Age, he worked for Everett M. "Busy" Arnold at Quality Comics along with such greats as Reed Crandall, Jack Cole and Will Eisner and in addition to his impressive covers, he worked on such comics as the Black Condor; aka Richard Grey Jr. having lost his parents was raised by giant black condors and after studying his condor foster parents, he learned to fly. He befriended a hermit monk named Father Pierre who convinced him that he should use his unique attributes to do good and so was born the Black Condor.Lou Fine also created The Ray, a reporter named Hubert 'Happy' Terrill who was covering the story of a high-flying "strato-balloon" exploring the upper atmosphere. An electrical storm struck and while closing the outer airlock door, "Happy" got the full brunt of the storm's energy and the unfiltered sunlight giving him his super powers to absorb energy from his surroundings and emit it from his body in any form he chose, also using it to propel himself through the air.

GOLDEN AGE CLASSICS BLACK CONDOR & THE RAY TP SOFTEE VOLUME 2 BLACK CONDOR – CRACK COMICS #12 - #21 April 1941 – February 1942?THE RAY – SMASH COMICS #23 - #30 June 1941 – January 1942? Lou Fine was one of the most impressive and influential artists to ever work in comics. His fluid figures were admired and copied by such greats as Joe Simon and Jack Kirby. In the early 40's, the heyday of the Golden Age, he worked for Everett M. "Busy" Arnold at Quality Comics along with such greats as Reed Crandall, Jack Cole and Will Eisner and in addition to his impressive covers, he worked on such comics as the Black Condor; aka Richard Grey Jr. having lost his parents was raised by giant black condors and after studying his condor foster parents, he learned to fly. He befriended a hermit monk named Father Pierre who convinced him that he should use his unique attributes to do good and so was born the Black Condor.Lou Fine also created The Ray, a reporter named Hubert 'Happy' Terrill who was covering the story of a high-flying "strato-balloon" exploring the upper atmosphere. An electrical storm struck and while closing the outer airlock door, "Happy" got the full brunt of the storm's energy and the unfiltered sunlight giving him his super powers to absorb energy from his surroundings and emit it from his body in any form he chose, also using it to propel himself through the air.

GOLDEN AGE CLASSICS BLACK CONDOR & THE RAY TP SOFTEE VOLUME 3 BLACK CONDOR – CRACK COMICS #22 - #31 March 1942 – October 1943?THE RAY – SMASH COMICS #31 - #40 February 1942 – February 1943 Lou Fine was one of the most impressive and influential artists to ever work in comics. His fluid figures were admired and copied by such greats as Joe Simon and Jack Kirby. In the early 40's, the heyday of the Golden Age, he worked for Everett M. "Busy" Arnold at Quality Comics along with such greats as Reed Crandall, Jack Cole and Will Eisner and in addition to his impressive covers, he worked on such comics as the Black Condor; aka Richard Grey Jr. having lost his parents was raised by giant black condors and after studying his condor foster parents, he learned to fly. He befriended a hermit monk named Father Pierre who convinced him that he should use his unique attributes to do good and so was born the Black Condor.Lou Fine also created The Ray, a reporter named Hubert 'Happy' Terrill who was covering the story of a high-flying "strato-balloon" exploring the upper atmosphere. An electrical storm struck and while closing the outer airlock door, "Happy" got the full brunt of the storm's energy and the unfiltered sunlight giving him his super powers to absorb energy from his surroundings and emit it from his body in any form he chose, also using it to propel himself through the air. Art by Lou Fine, Charles Sultan, Phil Bard, Reed Crandall, Bob Fujitani.

GOLDEN AGE CLASSICS FIGHT COMICS HC VOLUME 1 Join us, as we delve into the pages of this classic comic from Fiction House featuring the talents of? Will Eisner, Lou Fine, George Tuska, Alex Blum, Fred Schwab, Steve Broder, Fletcher Hanks,? Maurice Gutwirth, Klaus Nordling, Leonard Frank, William Wills, John Celardo and Charles Sultan.? And remember the . . .?1st Rule of FIGHT COMICS : YOU MUST TALK about FIGHT COMICS.?2nd Rule of FIGHT COMICS : YOU MUST TALK SOME MORE about FIGHT COMICS.?3rd Rule of FIGHT COMICS : STOP! GO BUY FIGHT COMICS BEFORE THEY SELL OUT!?

GOLDEN AGE CLASSICS FIGHT COMICS HC VOLUME 2 1st Rule of FIGHT COMICS : YOU MUST TALK about FIGHT COMICS.?2nd Rule of FIGHT COMICS : YOU MUST TALK SOME MORE about FIGHT COMICS.?3rd Rule of FIGHT COMICS : STOP! GO BUY FIGHT COMICS BEFORE THEY SELL OUT!?Featuring POWER MAN aka Rip Regan who is given a "power suit" by his friend and mentor Dr. Austin? which gives him super-strength, imperviousness and enables him to perform superhuman leaps.? ALONGSIDE OTHER CLASSIC COMIC HEROES FROM FICTION HOUSE SUCH AS SHARK BRODIE, KINKS MASON,? SPY FIGHTER, CHIP COLLINS, BIG RED MCLANE, KAYO KIRBY, ORAN OF THE JUNGLE AND? STRUT WARREN. All masterfully brought to life by Lou Fine, George Tuska, Steve Broder,? Leonard Frank, Fred Schwab, Charles Sultan, John Celardo, Fletcher Hanks, Dan Zolnerowich,? Bob Powell and Klaus Nordling

GOLDEN AGE CLASSICS JUNGLE COMICS HC VOLUME 1 Jungle Comics ran for almost 15 years and there's no wonder with a roster of creative talent like Lou Fine,? Alex Blum, Taylor Martin, Fletcher Hanks, Chuck Winter, Art Peddy, Henry Kiefer, George Wilson, Bill? Allison, Dick Briefer, Will Eisner, Ken Jackson, R. Louis Golden, Rafael Astarita, Charles Sultan, Robert? Lewis and Bob Powell all serving us such jungle treats as these... Alex Blum created Kaanga, Lord of the? Jungle, who after losing his family in the Congo, was adopted by a local tribe of “ape-men” where he? tackled everything from bad animals to dinosaurs to witch doctors to Germans, appearing in all 163 issues!? While wandering the jungle, Tabu saved the life of a powerful shaman. In thanks the shaman gave him the? "extra sense" – heightened strength, speed, agility, as well as enhanced senses and in a true Fletcher Hanks? fashion, unlimited magical powers. The "Mystery Woman of the Jungle" Fantomah, is a mysterious? goddess-like being. With vast omnipotent magical power can transform into a frightening phantom/skeleton? creature with floating skull and blonde hair. She wreaked her brutal vengeance on such bizarre foes as Org,? who controlled giant spiders with a hypnotic drum, and Professor Zomax. And so much more – all? reproduced - cover to cover - just like the original comics! So swing by and grab your copy today!

GOLDEN AGE CLASSICS RANGERS OF FREEDOM HC VOLUME 1 The Rangers of Freedom were "Biff" Barkley, "Tex" Russell and Peter Cabot, three young men who were? recruited by the FBI because their physical and mental fortitude made them "the best specimens of ?American youth." They donned patriotically themed bulletproof costumes, but they had no secret identities.?Together with Ranger Girl they fought villainous Nazis and Japanese forces led by the Super-Brain and the? Black Dragon Society. Though they had no powers, the Rangers were good fighters.? And they needed to be - as Superbrain's hooded axeman raises his bloody blade over Ranger Girl – the? Freedom Trio slammed into action in the classic "The Headsman of Hate"!?Presented to you cover to cover just like the original comic - for your reading pleasure, just make sure? you’re as quick as the Rangers and get your copy today!

The Golden Age excitement continues with Black Cat Comics Volume 5, collecting Issues #17–21 from Harvey Comics! Linda Turner, the dazzling Hollywood actress who doubles as the daring Black Cat, leaps into action with her trademark mix of courage, athletic skill, and quick wit. By this point in the series, the title itself shifts to Black Cat Western, reflecting the postwar fascination with frontier adventure. Within these pages, readers will find the Black Cat holding her own amid the gunslingers and outlaws of the Wild West, while still delivering the bold, dynamic storytelling that made her a Golden Age favorite. Carefully restored by PS Artbooks, this volume captures a unique moment in comics history when superheroes and Westerns crossed paths.